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Interesting discussion on piracy of copyrighted content. When it comes to the extent of impact from piracy on sales, it depends on various factors starting with the nature of content.
Parody, Time restrictions and Transformative fair use should certainly be considered while ascertaining copyright infringement. At the same time, even web scraping a website could be considered piracy in a way. That is why it is a topic that needs to be looked at catering to the global digital landscape. The best part coming out of a digital and technological global world is the ability to identify and ascertain such touchy subjects at a much faster rate with the able guidance of an unique and growing company that can look at such problems from various perspectives.
Originally shared by Greg Batmarx
Back in 2014, the European Commission paid the Dutch consulting firm Ecorys 360,000 euros (about $428,000) to research the effect piracy had on sales of copyrighted content.
The final report was finished in May 2015, but for some reason it was never published, according to Julia Reda’s blog, the only Pirate in the EU Parliament.
The 300-page report seems to suggest that there’s no evidence that supports the idea that piracy has a negative effect on sales of copyrighted content (with some exceptions for recently released blockbusters).
The report states:
In general, the results do not show robust statistical evidence of displacement of sales by online copyright infringements. That does not necessarily mean that piracy has no effect but only that the statistical analysis does not prove with sufficient reliability that there is an effect. An exception is the displacement of recent top films. The results show a displacement rate of 40 per cent which means that for every ten recent top films watched illegally, four fewer films are consumed legally.
The report doesn’t settle the debate definitely for all “online copyright infringements” (piracy) but it points to similar conclusions as previous studies have done.
It’s therefore not known whether the study will have a big impact on the current debate, but its publication delay raises serious questions.
On her blog, Julia Reda says that a report like this is fundamental to discussions about copyright policies, where the general assumption is usually that piracy has a negative effect on rightsholders’ revenues. She also criticizes the Commissions reluctance to publish the report and says it probably wouldn’t have released it for several more years if it wasn’t for the access to documents request she filed in July.
TNW reached out Reda to ask her why she thought the Commission hadn’t published the earlier. In a written response Reda said:
At first I was willing to give the Commission the benefit of the doubt that the study had simply fallen through the cracks, since the responsible department underwent significant restructuring in 2014, after the study was commissioned.
However, now all available evidence suggests that the Commission actively chose to ignore the study except for the part that suited their agenda: In an academic article published in 2016, two European Commission officials reported a link between lost sales for blockbusters and illegal downloads of those films. They failed to disclose, however, that the study this was based on also looked at music, ebooks and games, where it found no such connection. On the contrary, in the case of video games, the study found the opposite link, indicating a positive influence of illegal game downloads on legal sales.
That demonstrates that the study wasn’t forgotten by the Commission altogether.
They also failed twice to meet the deadline for responding to my freedom of information request.
One cannot avoid the suspicion that the Commission intentionally suppressed the publication of publicly-funded research because the facts discovered were inconvenient to their political agenda.
The report could’ve provided valuable grounding for any debate regarding copyright issues. This especially serious when considering the EU’s upcoming copyright reform. The reform is extremely disputed, with some even flat out calling it a ‘dysfunctional proposal.’ But does Reda believe that the report would’ve affected the controversial copyright overhaul?
It’s hard to say whether this study would have affected the upcoming copyright reform. It’s not the first study that calls into question the conventional wisdom that copyright infringement is always bad for business, and sadly, academic evidence doesn’t always impact policy making as directly as one would hope.
This is currently being demonstrated in the debate about the Commission’s plans for upload filters for internet platforms and an extra copyright for news sites:
Too many politicians are ignoring the overwhelming academic consensus that these plans would do much more harm than good.
Despite all lip-service paid to supposedly evidence-based “better regulation”, industry lobbying and ideology appears to still have an outsized influence on the Commission’s lawmaking.
https://thenextweb.com/eu/2017/09/21/eu-paid-report-concluded-piracy-isnt-harmful-tried-hide-findings/#.tnw_jipk6wL9
Parody, Time restrictions and Transformative fair use should certainly be considered while ascertaining copyright infringement. At the same time, even web scraping a website could be considered piracy in a way. That is why it is a topic that needs to be looked at catering to the global digital landscape. The best part coming out of a digital and technological global world is the ability to identify and ascertain such touchy subjects at a much faster rate with the able guidance of an unique and growing company that can look at such problems from various perspectives.
Originally shared by Greg Batmarx
Back in 2014, the European Commission paid the Dutch consulting firm Ecorys 360,000 euros (about $428,000) to research the effect piracy had on sales of copyrighted content.
The final report was finished in May 2015, but for some reason it was never published, according to Julia Reda’s blog, the only Pirate in the EU Parliament.
The 300-page report seems to suggest that there’s no evidence that supports the idea that piracy has a negative effect on sales of copyrighted content (with some exceptions for recently released blockbusters).
The report states:
In general, the results do not show robust statistical evidence of displacement of sales by online copyright infringements. That does not necessarily mean that piracy has no effect but only that the statistical analysis does not prove with sufficient reliability that there is an effect. An exception is the displacement of recent top films. The results show a displacement rate of 40 per cent which means that for every ten recent top films watched illegally, four fewer films are consumed legally.
The report doesn’t settle the debate definitely for all “online copyright infringements” (piracy) but it points to similar conclusions as previous studies have done.
It’s therefore not known whether the study will have a big impact on the current debate, but its publication delay raises serious questions.
On her blog, Julia Reda says that a report like this is fundamental to discussions about copyright policies, where the general assumption is usually that piracy has a negative effect on rightsholders’ revenues. She also criticizes the Commissions reluctance to publish the report and says it probably wouldn’t have released it for several more years if it wasn’t for the access to documents request she filed in July.
TNW reached out Reda to ask her why she thought the Commission hadn’t published the earlier. In a written response Reda said:
At first I was willing to give the Commission the benefit of the doubt that the study had simply fallen through the cracks, since the responsible department underwent significant restructuring in 2014, after the study was commissioned.
However, now all available evidence suggests that the Commission actively chose to ignore the study except for the part that suited their agenda: In an academic article published in 2016, two European Commission officials reported a link between lost sales for blockbusters and illegal downloads of those films. They failed to disclose, however, that the study this was based on also looked at music, ebooks and games, where it found no such connection. On the contrary, in the case of video games, the study found the opposite link, indicating a positive influence of illegal game downloads on legal sales.
That demonstrates that the study wasn’t forgotten by the Commission altogether.
They also failed twice to meet the deadline for responding to my freedom of information request.
One cannot avoid the suspicion that the Commission intentionally suppressed the publication of publicly-funded research because the facts discovered were inconvenient to their political agenda.
The report could’ve provided valuable grounding for any debate regarding copyright issues. This especially serious when considering the EU’s upcoming copyright reform. The reform is extremely disputed, with some even flat out calling it a ‘dysfunctional proposal.’ But does Reda believe that the report would’ve affected the controversial copyright overhaul?
It’s hard to say whether this study would have affected the upcoming copyright reform. It’s not the first study that calls into question the conventional wisdom that copyright infringement is always bad for business, and sadly, academic evidence doesn’t always impact policy making as directly as one would hope.
This is currently being demonstrated in the debate about the Commission’s plans for upload filters for internet platforms and an extra copyright for news sites:
Too many politicians are ignoring the overwhelming academic consensus that these plans would do much more harm than good.
Despite all lip-service paid to supposedly evidence-based “better regulation”, industry lobbying and ideology appears to still have an outsized influence on the Commission’s lawmaking.
https://thenextweb.com/eu/2017/09/21/eu-paid-report-concluded-piracy-isnt-harmful-tried-hide-findings/#.tnw_jipk6wL9
- Get link
- X
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